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Grateful Dead Live at Hollywood Palladium on 1971-08-05




Set 1:
d1t01 - Introduction
d1t02 - Bertha
d1t03 - Me And My Uncle
d1t04 - Mr. Charlie
d1t05 - Sugaree
d1t06 - El Paso
d1t07 - That's It For The Other One ->
d1t08 - Wharf Rat
d1t09 - Me And Bobby McGee
d1t10 - Casey Jones

Set 2:
d2t01 - Truckin'
d2t02 - Loser
d2t03 - Sugar Magnolia
XXXXX - Bird Song (MISSING)
XXXXX - Not Fade Away (MISSING)
d2t04 - Goin' Down The Road Feeling Bad ->
d2t05 - Not Fade Away
d2t06 - Johnny B. Goode


Collection GratefulDead
Band/Artist Grateful Dead
Venue Hollywood Palladium
Location Hollywood, CA

Source (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> CD D
Lineage CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC
Taped by Harvey Kaslow and Craig Todd
Transferred by Charlie Miller and Joe B Jones

Notes

Notes:
-- Recorded By Harvey Kaslow and Craig Todd
-- Thanks to Joe B. Jones for his help with the pitch correction
-- Some between song tunings from Set 1 are taken from shnid=9768
-- This is much clearer than shnid=9768
-- There is a tape flip during The Other One
-- Sugar Magnolia cuts right before Sunshine Daydream
-- A few drops outs were removed

Reviews

Reviewer: Spoondivy - - June 21, 2014
Subject: Strange Quandry
How is it possible that both the audience and soundboard copies all have Not Fade and Bird Song missing? Did aliens come down and vamp everybody’s brain and the tape deck to remove these two tunes? Strange indeed.
Reviewer: xvgi - - August 28, 2009
Subject: problems
Great sound but there's at least one glitch: Me & My Uncle 00.21 (and possibly more but I haven't ventured beyond that point). None of the other versions have this glitch so I think I'd prefer them.

I've found with the Charlie Millers several that have glitches and stuff that the other versions don't have. Considering the high regard he's held in and the loving care he obviously puts into his work, I've always thought it odd. I confess I'm no technological expert and I can believe that these faults are nothing to do with him and perhaps just something that occurs in the act of posting them on this site. I can't believe he'd miss them.

A shame because his stuff is always great-sounding.
Reviewer: thelegroom - - December 14, 2008
Subject: Great Sound!
Thanx Charlie, Harvey, Craig, and Joe. Great audience, nice raw show. Hoping one day to get the missing tunes. Almost sounds as if the two sets are of different sources. I am playing Sugaree on my radio show this week. Peace
Reviewer: SomeDarkHollow - - June 17, 2008
Subject: Damn. Just when you think it can't get better....
Both of these shows at the Palladium are outstanding and examples of some of the best AUD recordings from this time. Well, Mr. Miller has worked his magic and improved on what had been available before. Levels are more even and a moved up a bit, giving the whole show a little more "punch". Also be sure to chech Mr. Miller's work on the next night's show, also an improvement.
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-s Set 2
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Source: flac16:Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes
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Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Loge Section 202 Row H Seat 23/6 Feet High)> Whirlwind Phantoms>Teac DA-P20>Sony TC-D5M,Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
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Source: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100; Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
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Source: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6; Tapes Maxell MX-S 90,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
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Source: Sony D6 Cassette Master>Sennheiser 441 Mics>Sony TC- We 325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac.
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Source: nak 300 mics > sony d-6 > mac